{"id":4424,"date":"2012-01-10T14:50:00","date_gmt":"2012-01-10T14:50:00","guid":{"rendered":"http:\/\/richardlittledale.wordpress.com\/?p=4424"},"modified":"2012-01-10T14:50:00","modified_gmt":"2012-01-10T14:50:00","slug":"glorious-mess","status":"publish","type":"post","link":"http:\/\/176.32.230.12\/richardlittledale.co.uk\/2012\/01\/10\/glorious-mess\/","title":{"rendered":"Glorious mess"},"content":{"rendered":"
A whole lot of fun<\/strong><\/span><\/p>\n Years ago I stumbled across the following phrase in a Charles Swindoll book: ‘better a productive mess than tidy\u00a0idleness’. Ever since I have tried to make my creativity the excuse for my messiness – though I am not sure it altogether works.<\/p>\n Japanese artist Yayoi Kusama has definitely\u00a0created\u00a0a virtue out of mess here though. Her exhibit, The\u00a0Obliteration\u00a0Room<\/em>, opened in The Queensland Gallery of Modern Art as an entirely white room. Everything – from the walls and floor to the furniture and the plants, was stark and unyielding white.\u00a0Children\u00a0visiting the exhibit were then encouraged to adorn the room with stickers – which they have done with a vengeance:<\/p>\n